![]() There are invisible walls everywhere, anything more than a step is barely traversable, and the character you?re controlling moves awkwardly. ![]() The game limits what you can and can?t interact with, and it feels a little random, since some of the objects you can touch don?t really add anything to the story. Everything looks and feels a little too sterile, and not in a good way. It doesn?t help that the world doesn?t feel all that lived in. That?s not necessarily taken from another specific game, but it still doesn?t feel particularly original. ![]() There are also a couple of pretty significant twists (that I?ll get into in a moment) that, while not necessarily taken directly from another game, feel a little too formulaic to have the shock value Draugen clearly intended. You discover that there?s a ?curse? that?s impacted everyone on the island - that feels a lot like What Remains of Edith Finch. You search through the house and learn that something isn?t right while piecing together the story - that would be Gone Home. You can see Dear Esther in the basic premise - a man (and in this case, his companion) exploring a remote island to solve a mystery. I mean, I didn?t hate it by any means, but I?m quite certain that, in a couple of years, I won?t be looking back at it with the same reverence I have for games like Edith Finch or Gone Home.Ī big part of the problem is that it never feels like more than a collection of influences. Given that those are some of my all-time favourite games, it would only make sense if I loved Draugen, too. The game is an artsy walking simulator, and it borrows liberally from some of the very best games the genre has to offer: there?s a bit of Dear Esther here, a dash of Gone Home there, and a helping of What Remains of Edith Finch to top it all off. If nothing else, Draugen?s creators have pretty solid taste.
0 Comments
Leave a Reply. |